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The Place

  1. London
  2. London Cafes

Reviews, get directions and contact details for The Place

The Place
Address: 11 Canonbury Pl , London N1 2NQ, XGL, GB
Phone: 020 7359 4693
State: XGL
City: London
Zip Code: N1 2NQ

opening times

Tuesday: 07:30-18:00
Wednesday: 07:30-18:00
Thursday: 07:30-18:00
Friday: 07:30-18:00
Saturday: 07:30-18:00
Sunday: 08:00-16:00

Update Info

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Reviews
Seen a fantastic performance of the National dance company Wales in this theatre.
The Place is an incredible place to learn contemporary dance. With a great range of classes at all levels and styles. The team running The Place care a great deal about putting on programmes of activity that reflect the needs of their participants, recruiting the best teachers. Classes are always enjoyable and uplifting, while still being technically challenging. I have a huge amount of time for The Place and I'd absolutely recommend it for anyone looking for contemporary dance classes.
Great theatre!!! The management is commendable. There are some of the best shows in London at this theatre. You can’t get it wrong. Around this theatre are great restaurants for after show food and drinks. I had a great time watching a late night dance show by a trio. It was a demonstrative dance. There are also a variety of parking options including street parking within a reasonable distance.
Plays music extremely loudly even at weekends, evenings and bank holidays. Has no regard for those who live next to it. Breaking noise pollution laws and completely uncooperative
I have been The Place in total of 3 times, I like it. Its canteen is very reasonable and comfortable. Very close from Euston station. It is a bit difficult to find if you come from Kings Cross, but it is just next to Premier Inn of Duke Street behind a big church you can see from just outside Euston station. The theatre is a good size, easy to see from front row to middle row. I never sat at the back so I am not sure but I imagine it would be also good view. The theatre is a pit style so the stage is lowest and seats are going up gradually. Only thing I do not like about the location is that Euston Road is so heavy traffic all the time so it is frustrating to cross the road. Need to cross about 4 traffic lights to get the place from the station. And some traffic lights do not change for long time even there is not much traffic. With a child , it gets me nervous each time. They do an open day around the end of July every year, we went only once but that was totally inspiring and fun. My daughter learned about Maddy Ziggler from that day. We also saw a beatiful dance + theatre , a story about “a fish is getting so big to eat the world”. That was very good. We should have more shows like that for kids something not a Christmas panto, not just a comedy but inspiring / beautiful, not too expensive and most importantly not too long!!! But many workshops looked like mostly for under 6, so my daughter might be a bit too old now. I went to see Zoonation Academy's Christmas show the other day here and it was excellent I did not have any relatives or somebody I know in the show. Highly recommend it !
I have been taking adult evening class weekly at the place for the last two years. Compared to other venues in London, this is by far the best place for beginners to take on the challenge of ballet and contemporary dancing. Incredible teaching staff and wonderful live music, piano or drum accompanying each class, a perfect place to enjoy and challenge oneself! Highly recommended!
The performance I went to last night was brilliant. Part of Resolution, all three pieces were good, two of them for me, really moving. I love the place, both for performance and occasional classes.
sixfold performed by Elizabeth Schilling 26 January 2018 Dappled, its surface irregularities balanced; the strong side light suspending this luminous crescent in the dark stage blooms into a full sphere. This cosmology of concentration will open collapsed-time before our eyes and enfold us in a dance work whose beginning has not so engaged since E=mc2 from the 1980 Edinburgh Festival. And what is the music of this sphere? We will remain on the surface of sound; that is not the clue, it is the substance. A trance has begun and will continue for more than twenty minutes; blink and you will miss it. First to change is the perceptual dimension: are we being drawn in or is this sphere in metamorphosis? It is changing in size without an interruption of stages; it is becoming as it grows. Then it is sudden, and so is our brief smile as a hand tickles out, then opposite a foot, a balanced imbalance of our memory of what is human. A leg shoots out atop at ninety degrees. The enclosure has burst. What squirms out is a tightly enwrapped form we know to be human, but made from the vibration we hear; so abstract it seems a living cell. It’s livingness is that most basic; an enraptured flesh slowly extending and unfolding. Form is content, a quasar of surface pulses into an eventual elongation that is at once the miracle of the human body and a singular luminous brush stroke of light painted in the dark. For the viewer, there are pleasures of a rippling musculature and spine which shake the shadows: here is mollusc and angel. Elisabeth Schilling; her name in six unfolding syllables, holds life out for inspection, suspending with nothing more than a rigorous physical discipline, our own selves and beginnings. And then in slow return, disappears as if all was only a stupor, leaving only dark and breath.
The best dancing studio I have ever been to! The facility is great, there is a cafe area, nice changing rooms, showers, etc. The dancing studios are lovely – clean and bright and the instructors – they are all fantastic!
Went to the schools matinee performance today and was completely horrified to see scenes of rape, sexual assault and violence sensationalised before children as young as 5! Our children's minds and innocence were violated by what they saw today and im soo angry I don't know even know what to do.
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